Re: New Homer Threat: Jungle Music
Revolting isn't it.
The combination of a "funky" sound, some brass, a colourful stage set and a few snappy costumes sets the scene for themes to be introduced which otherwise would be rejected out-of-hand. At the time, trousers such as worn by Kid Creole were unavailable and had to be especially ordered. Sure, any fancy dress shop would have had a zoot suit, but just look at the contrast between the 2 styles [ABOVE] 
Satan knew what was coming next and sure enough, it did.
Little by little the prurient compulsions of the 1960"s were envenomed by new and dangerous rhythms from the mighty jungle, resulting in a pantheon of licentious behaviours never dreamed of even by the savages themselves. Now savages are quite licentious as far as it goes. A few hallucinogenic toads; the odd Bwiti root; prancing around daubed in mud cocking legs over one another's shoulder. But where in the jungle was a crackwhore ever concocted? What cannibal ever waddled about in unlaced tennis shoes or bespoke saggy crotched trousers?

With stage two well established things rolled along under their own steam and it was downhill all the way.
I hope that tracing these two influences helps parents to understand how important it is to be aware of the satanic influences in popular culture, the culture marketed to your children by cynical charlatans who are themselves deluded into believing that they are not evil
tyrants.
We know, of course, that they are.
Satan makes sure that wherever the homosexual agenda is being advanced there is a display of gyrating trollops (as was evident in both my "pop videos"). The real threat, as Rev'd Flint has confirmed, is not from the trollops as such (although no trollop is 100% threat-free) but from the homosexuals. And as you can see from what I have posted, in a sort of reverse order from cause to effect, the cycle is almost complete. Satan's waddling funk merchants have mutated into the bizarre specimen [BELOW (RIGHT)] which is about where we came in.
.I never intrude comments or opinion .and in this case I don't need to. . . . . The connection is obvious.
Revolting isn't it.
Moving on to the next step in this timeline, which is a simple matter of history, brings us to Kid Creole himself.
Satan's plan is seen to be active, especially in the light of what has eventuated since.
Satan's plan is seen to be active, especially in the light of what has eventuated since.

Satan knew what was coming next and sure enough, it did.
Little by little the prurient compulsions of the 1960"s were envenomed by new and dangerous rhythms from the mighty jungle, resulting in a pantheon of licentious behaviours never dreamed of even by the savages themselves. Now savages are quite licentious as far as it goes. A few hallucinogenic toads; the odd Bwiti root; prancing around daubed in mud cocking legs over one another's shoulder. But where in the jungle was a crackwhore ever concocted? What cannibal ever waddled about in unlaced tennis shoes or bespoke saggy crotched trousers?
None.
That's what.

With stage two well established things rolled along under their own steam and it was downhill all the way.
I hope that tracing these two influences helps parents to understand how important it is to be aware of the satanic influences in popular culture, the culture marketed to your children by cynical charlatans who are themselves deluded into believing that they are not evil
tyrants.
We know, of course, that they are.
Satan makes sure that wherever the homosexual agenda is being advanced there is a display of gyrating trollops (as was evident in both my "pop videos"). The real threat, as Rev'd Flint has confirmed, is not from the trollops as such (although no trollop is 100% threat-free) but from the homosexuals. And as you can see from what I have posted, in a sort of reverse order from cause to effect, the cycle is almost complete. Satan's waddling funk merchants have mutated into the bizarre specimen [BELOW (RIGHT)] which is about where we came in.
.I never intrude comments or opinion .and in this case I don't need to. . . . . The connection is obvious.


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