The last of the "Pink Triangle" "victims" is gone (at last). These were the people all up in arms about being put in "concentration camps" for being willful homosexuals in WWII....completely ignoring the fact their lives were a crime, anyway, and if they weren't in one of those camps they'd be in prison.
Look at how the (foaming-at-the-mouth) ACTIVIST on the left keeps prompting him on what to say (!)
And they don't even have the common respect to speak English, so we can tell what they're really saying. It's like they're hiding something.
Rudolf Brazda, Last Surviving Victim Of Nazi Persecution Of Homosexuals, Died
BERLIN — Rudolf Brazda, believed to be the last surviving person who was sent to a Nazi concentration camp because of his homosexuality, has died, a German gay rights group said Thursday. He was 98.
The Berlin branch of the Lesbian and Gay Association, or LSVD, said that Brazda died on Wednesday. It didn't give details of the location or cause of death.
Brazda was sent to the Nazis' Buchenwald concentration camp in August 1942 and held there until its liberation by U.S. forces in 1945.
Nazi Germany declared homosexuality an aberration that threatened the German race, and convicted some 50,000 homosexuals as criminals. An estimated 10,000 to 15,000 gay men were deported to concentration camps, where few survived.
When a memorial to the Nazis' gay victims was unveiled in Berlin in 2008, the LSVD said the last ex-prisoner that it knew of had died three years earlier. But the group said it was then contacted by Brazda, who visited the memorial at its invitation and became an honorary member.
Brazda was born in 1913. He grew up in the eastern German town of Meuselwitz and repeatedly ran into trouble with Nazi authorities over his homosexuality before being sent to Buchenwald.
Brazda lived in the Alsace region of eastern France after World War II. Earlier this year, he was named a knight in the country's Legion of Honor.
Berlin's openly gay mayor, Klaus Wowereit, who met Brazda in 2008, said he learned with regret of his death.
"He is an example of how important the work of remembrance is for our future," Wowereit said. "Fewer and fewer people can give information about repression under the Nazi dictatorship authentically and from their own experience."
You might escape the Nazi's but there is no escaping from God. You have to pay the price one day.
YIC
Jack
Genesis 22:2 And he said, Take now thy son, thine only son Isaac, whom thou lovest, and get thee into the land of Moriah; and offer him there for a burnt offering upon one of the mountains which I will tell thee of.
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I know God wouldn't let me believe in Him if He didn't exist.
A demon who wrote songs for negroes has been sent to his just rewards: The firey pits! I ask you, can any True Christian(tm) doubt that a song called "Yakkity Yak" is satanic gibberish?
Jerry Leiber, Prolific Writer of 1950s Hits, Dies at 78
Jerry Leiber, the lyricist who, with his partner, Mike Stoller, wrote some of the most enduring classics in the history of rock ’n’ roll, including “Hound Dog,” “Yakety Yak,” “Stand By Me” and “On Broadway,” died on Monday in Los Angeles. He was 78.
The cause was cardio-pulmonary failure, said Randy Poe, president of Leiber & Stoller Music Publishing.
The team of Leiber and Stoller was formed in 1950, when Mr. Leiber was still a student at Fairfax High in Los Angeles and Mr. Stoller, a fellow rhythm-and-blues fanatic, was a freshman at Los Angeles City College. With Mr. Leiber contributing catchy, street-savvy lyrics and Mr. Stoller, a pianist, composing infectious, bluesy tunes, they set about writing songs with black singers and groups in mind.
In 1952, they wrote “Hound Dog” for the blues singer Big Mama Thornton. The song became an enormous hit for Elvis Presley in 1956 and made Leiber and Stoller the hottest songwriting team in rock ’n’ roll. They later wrote “Jailhouse Rock,” “Loving You,” “Don’t,” “Treat Me Nice,” “King Creole” and other songs for Presley, despite their loathing for his interpretation of “Hound Dog.”
In the late 1950s, having relocated to New York and taken their place among the constellation of talents associated with the Brill Building, they emerged as perhaps the most potent songwriting team in the genre.
Their hits for the Drifters remain some of the most admired songs in the rock ’n’ roll canon, notably “On Broadway,” written with Barry Mann and Cynthia Weil, and “Stand By Me” with Ben E. King. With Phil Spector, Mr. Leiber wrote the Drifters hit “Spanish Harlem.”
They wrote a series of hits for the Coasters, including “Charlie Brown,” “Young Blood” with Doc Pomus, “Searchin’,” “Poison Ivy” and “Yakety Yak.”
“Smokey Joe’s Cafe,” a 1954 hit written for the Robins, became the title of a Broadway musical based on the Leiber and Stoller songbook. In 1987, the partners were inducted into the Rock and Roll Hall of Fame.
“Jerry Leiber and Mike Stoller have written some of the most spirited and enduring rock ’n’ roll songs," the hall said in a statement when they were inducted. “Leiber and Stoller advanced rock ’n’ roll to new heights of wit and musical sophistication.”
Jerome Leiber was born on April 25, 1933, in Baltimore, where his parents, Jewish immigrants from Poland, ran a general store. When Jerry was 5, his father died and his mother tried, with little success, to run a small store in one of the city’s worst slums. When he was 12, she took him to Los Angeles.
It was while attending Fairfax High in Los Angeles and working in Norty’s Record Shop that he met Leonard Sill, a promoter for Modern Records, and confessed that he wanted to be a songwriter. After Sill urged him to find a pianist who could help him put his ideas onto sheet music he met Mr. Stoller through a friend, and the two began writing together
“Often I would have a start, two or four lines,” Mr. Leiber told Robert Palmer, the author of “Baby, That Was Rock & Roll: The Legendary Leiber and Stoller” (1978). “Mike would sit at the piano and start to jam, just playing, fooling around, and I’d throw out a line. He’d accommodate the line — metrically, rhythmically.”
Within a few years they had written modestly successful songs for several rhythm-and-blues singers: “K.C. Lovin’ ” for Little Willie Littlefield, which under the title “Kansas City” became a No. 1 hit for Wilbert Harrison in 1959.
In 1952, Sill arranged for Mr. Leiber and Mr. Stoller to visit the bandleader Johnny Otis and to listen to several of the rhythm-and-blues acts who worked with him, including Big Mama Thornton, who sang “Ball and Chain” for them. Inspired, the partners went back to Mr. Stoller’s house and wrote “Hound Dog.”
“I yelled, he played,” Mr. Leiber told Josh Alan Friedman, the author of “Tell the Truth Until They Bleed: Coming Clean in the Dirty World of Blues and Rock ’n’ Roll” (2008). “The groove came together and we finished in 12 minutes flat. I work fast. We raced right back to lay the song on Big Mama.”
In 1953 they formed Spark Records, an independent label, with Sill, but without national distribution it failed to score major hits. Atlantic Records, which had bought the Leiber and Stoller song “Ruby Baby” and “Fools Fall in Love” for the Drifters, signed them to an unusual agreement that allowed them to produce for other labels. The golden age of Leiber and Stoller began.
Their seemingly endless list of hit songs from this period included “Love Potion No. 9” for the Clovers (later a hit for the Searchers).
In the mid-1960s, Mr. Leiber and Mr. Stoller concentrated on production. They founded Red Bird Records, where they turned out hit records by girl groups like the Dixie Cups (“Chapel of Love”) and the Shangri-Las (“Leader of the Pack,” “Walking in the Sand”).
They sold the label in 1966 and worked as independent producers and writers. Peggy Lee, who had recorded their song “I’m a Woman” in 1963, recorded “Is that All There Is?” in 1969.
Mr. Leiber is survived by three sons, Jed, Oliver and Jake, and two grandchildren.
With Mr. Stoller and David Ritz, Mr. Leiber wrote a 2009 memoir, “Hound Dog: The Leiber & Stoller Autobiography.”
Here is a partial list from just a few scripture verses:
Hypocrites (Matthew 24:51), The Unforgiving (Mark 11:26), Homosexuals (Romans 1:26, 27), Fornicators (Romans 1:29), The Wicked (Romans 1:29), The Covetous (Romans 1:29), The Malicious (Romans 1:29), The Envious (Romans 1:29), Murderers (Romans 1:29), The Deceitful (Romans 1:29), Backbiters (Romans 1:30), Haters of God (Romans 1:30), The Despiteful (Romans 1:30), The Proud (Romans 1:30), Boasters (Romans 1:30), Inventors of evil (Romans 1:30), Disobedient to parents (Romans 1:30), Covenant breakers (Romans 1:31), The Unmerciful (Romans 1:31), The Implacable (Romans 1:31), The Unrighteous (1Corinthians 6:9), Idolaters (1Corinthians 6:9), Adulterers (1Corinthians 6:9), The Effeminate (1Corinthians 6:9), Thieves (1Corinthians 6:10), Drunkards (1Corinthians 6:10), Reviler (1Corinthians 6:10), Extortioners (1Corinthians 6:10), The Fearful (Revelation 21:8), The Unbelieving (Revelation 21:8), The Abominable (Revelation 21:8), Whoremongers (Revelation 21:8), Sorcerers (Revelation 21:8), All Liars (Revelation 21:8)
Just goes to show. God will smite you in the end for your sinful ways!
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Isaiah 34:6 The sword of the LORD is filled with blood, it is made fat with fatness, and with the blood of lambs and goats, with the fat of the kidneys of rams: for the LORD hath a sacrifice in Bozrah, and a great slaughter in the land of Idumea.
John 5:46,47For had ye believed Moses, ye would have believed me: for he wrote of me. But if ye believe not his writings, how shall ye believe my words?
I always saw the old Yid as the sole cause of the degeneration of the Flower of America's youth who, from his first words, descended into vile afflictions. Leiber, inspired of Satan gave his Devil's tunes to that hip gyrating creature, Presley, who flaunted his abominations to signal the start of of the road to Armageddon via Sodomy and Atheism.
Look where we were then and look where we are now! People! The proof is before you!
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“We must reassert that the essence of Christianity is the love of obedience to God’s Laws and that how that complete obedience is used or implemented does not concern us.”
Cliff Robertson, a ruggedly handsome actor who played the young John F. Kennedy as a wartime skipper in “P.T. 109” (1963) and who won an Oscar for his sympathetic portrayal of the mentally disabled title character in “Charly” (1968), died Saturday at a hospital in Stony Brook, N.Y. He had turned 88 on Friday.
His death was confirmed by the O’Connell Funeral Home in Southampton, N.Y., but no cause was provided.
In a career spanning six decades and more than 100 film and television credits, Mr. Robertson’s path to stardom was often thorny.
In the late 1970s, he gained notoriety as a whistleblower in a check-forging scandal that fingered a studio chief as a thief and embezzler. He said that instead of being praised for his civic-mindedness, he was essentially blacklisted for several years for airing the indiscretion of a powerful mogul.
“The adage remains: ‘Thou shalt not confront big mogul on corruption, or thou shalt not work,’ ” Mr. Robertson said.
Mr. Robertson had long resented the Hollywood system that elevated him to stardom in “Picnic” (1955) with William Holden and “Autumn Leaves” (1956) with Joan Crawford, then seemed not to know what to do with him.
A versatile and subtle craftsman, Mr. Robertson bristled over the lack of quality control under a long-term studio contract.
He was cast as a pretty-boy hero in musicals, featherweight comedies and the most unlikely of dramas. He appeared as a beach-bum philosopher in “Gidget” (1959), opposite Sandra Dee, and as a Greek sponge diver in a trifle called “As the Sea Rages” (1960).
“Nobody ever did such a wide variety of mediocrity,” he told the New York Times years later.
While he held his own in virile parts — he was reportedly Kennedy’s personal choice for “P.T. 109” — Mr. Robertson was often at his best when he subverted his all-American good looks to play men of ruthless intelligence and sinister intentions.
As a right-wing presidential candidate in “The Best Man” (1964), based on a Gore Vidal play, Mr. Robertson was singled out by film critic Judith Crist for “dominating the screen with a ferocious and righteous passion.”
In “Three Days of the Condor” (1975), directed by Sydney Pollack, Mr. Robertson was a two-faced CIA officer who ordered a hit on an innocent researcher played by Robert Redford.
“Three Days of the Condor” was buoyed in popularity by its timeliness. It was made at the height of the political paranoia stemming from the Watergate scandal and congressional revelations of CIA misconduct. Film scholar Jeanine Basinger said Mr. Robertson “made a good villain for an era in which we were getting confused who were the good guys and who were the bad guys — because he looked like a good guy. There
was something quintessentially Ameri*can about him.”
By starring in “Charly,” playing a simple-minded bakery janitor who temporarily gains a genius IQ through a scientific experiment, Mr. Robertson made a bold move for a relatively big star, Basinger said. It would be decades before it became common for leading actors — including Sean Penn, Dustin Hoffman and Billy Bob Thornton — to play mentally disabled characters. The role earned Mr. Robertson an Oscar.
He portrayed the ultra liberal papist JFK and a mental cripple on the big screen. I'm certain that Jesus has him driving the short bus off a cliff every hour down in hell.
Here is a partial list from just a few scripture verses:
Hypocrites (Matthew 24:51), The Unforgiving (Mark 11:26), Homosexuals (Romans 1:26, 27), Fornicators (Romans 1:29), The Wicked (Romans 1:29), The Covetous (Romans 1:29), The Malicious (Romans 1:29), The Envious (Romans 1:29), Murderers (Romans 1:29), The Deceitful (Romans 1:29), Backbiters (Romans 1:30), Haters of God (Romans 1:30), The Despiteful (Romans 1:30), The Proud (Romans 1:30), Boasters (Romans 1:30), Inventors of evil (Romans 1:30), Disobedient to parents (Romans 1:30), Covenant breakers (Romans 1:31), The Unmerciful (Romans 1:31), The Implacable (Romans 1:31), The Unrighteous (1Corinthians 6:9), Idolaters (1Corinthians 6:9), Adulterers (1Corinthians 6:9), The Effeminate (1Corinthians 6:9), Thieves (1Corinthians 6:10), Drunkards (1Corinthians 6:10), Reviler (1Corinthians 6:10), Extortioners (1Corinthians 6:10), The Fearful (Revelation 21:8), The Unbelieving (Revelation 21:8), The Abominable (Revelation 21:8), Whoremongers (Revelation 21:8), Sorcerers (Revelation 21:8), All Liars (Revelation 21:8)
Shout praise! Our Lord is on a roll with those Hellyweird entertainers. He has made known His wrath upon Andy Whitfield, star of the notoriously fag-enabling, pagan-enabling, and slave-enabling Spartacus: Blood and Sand.
Andy Whitfield Dead: 'Spartacus' Star Dies Of Non-Hodgkin Lymphoma
LOST ANGELES — Andy Whitfield, who played the title role in the hit cable series "Spartacus: Blood and Sand," has died at age 39, according to representatives and family.
Whitfield died Sunday in Sydney, Australia, 18 months after he was diagnosed with non-Hodgkin lymphoma, manager Sam Maydew told the Associated Press.
This church is dedicated to preaching True Christianity™ and the King James Bible exactly as they are, with no alterations to make them more politically correct for modern liberals. If you think that we've misquoted or twisted Scripture or quoted any verse out of context, please explain in detail how we've done so. Otherwise, if what you read on this site offends you, then you're offended by Almighty God and His Word, not by us.
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